室內(nèi)設(shè)計(jì)3圖書(shū)目錄

Public

POlO/SHH Applemore Technology College/UK

P014/SHH Cherbourg Primary School/UK

P016/Bosch&Fiord Hjerring Central Library/Denmark

P020/Studio Roelof Mulder&bureau Ira Koers University Library of theUniversity of Amsterdam/The Netherlands

P024/123DV architecture&consult by Media Plaza/The Netherlands

P028/MET Studio Fusion World/UK

P032/UNStudio Theatre Agora/The Netherlands

P038/Clive Wilkinson Architects FIDM 0．C．/US

P042/Aisop Architects The Public，West Bromwich/UK

P044/Planet 3 Studios Architecture Pvt．Ltd．Vidyalakar Institute Of Technology,Wadala Mumbai/India

P050/DFA f Dietmar Fejchtinger Ar[hjtectes Taufkirchen an der Pram/Austria

P054/Serrano Monjaraz Arquitectos Masaryk 123/Mexico

POS6/Clive Wilkinson Architects FIDM San Diego/US

P062/Architectenbureau Paul de Ruiter bv Bijlmer Park Theatre，AmsterdamZuidoost/The Netherlands

P066/Alsop Architects The Blizard Building，queen Mary University of London/UK

Corporate

P072/Bosch&Fjord Plug And Play Office/Denmark

P076/Bosch&Fjord Colon/Denmark

P078/Jump Studios Bloomberg/UK

P082/Jump Studios Red Bull HQ/UK

P088/Ministry of Design Leo Burnett Office/Singapore

P092/Bosch&Fjord MindLab/Denmark

P094/Jump Studlos Langland/UK

P098/Clive Wilkinson Architects Maguire Partners/US

P102/Clive Wilkinson Architects The Disney Store Headquarters/US

P106/Bosch&Fjord LEGO/Denmark

P110/Clive Wilkinson Architects JWT Headquarters New York/US

P116/Studio O A Facebook Headquarters/US

P122/i29 I interior architects/Eckhardt&Leeuwenstein architects OfficeHerengracht，Amsterdam/The Netherlands

P126/Plan2Plus design Matrix Technology AG Headquarter Munich/Germany

P130/Neu Architects The Assay Office，Goldsmiths’Hall/UK

P132/J．HAyER H．Architects$11”Steckelh6rn 11”/Germany

Dining

P134/design spirits co．，lt dl Bering Noodle No．9/Japan

P136/Concrete Architectural Associates Bijenkorf/The Netherlands

P138/Blacksheep The High Table/UK

P142/Luca Rossire，Riccardo Salvi．(Logica：architettura)Home DelicateRestaurant/Italy

P146/Ministry Of Design Royal China Restaurant/Singapore

P148/Tjep．Fabbrica/The Netherlands

P152/Himematsu Architecture Vinegar Cafd SU/Japan

P1S4/Tjep．Praq Amersfoort/The Netherlands

P158/Jump Studios The Modern Pantry/UK

P160/Studio Arne Quinze KWINT/Belgium

P162/ippolito fleitz group WakuWaku Hamburg/Germany

P164/Karim Rashid Kurve/US

P166/Puresang Grand CaM Cellini/Belgium

P170/Budi Pradono Blu Apple/indonesia

P172/Entasis architects Terrasse Renault/Denmark

P174/Johannes Torpe Studios SUBU/Denmark

P176/Jump Studios Bailissimo Traveling Bar/UK

P178/Rockwell Group Dos Caminos Las Vegas/US

P180/Rockwell Group Wildwood BBQ/US

P182/Rockwell Group Adour Alain Ducasse at the St．Regis/US

P184/Rockwell Group Nobu Dubai/US

P186/jol-Design GmbH Restaurant Vlet/Germany

PIBB/LUI DESIGN&ASSOCIATES WakoJapanese Yakiniku Restaurant Hong Kong，China

P192/PANORAMA Made In Kitchen/Hong Kong，China

P196/Blacksheep Inamo/UK

P200/Ballistic Architecture Machine L'ldiot Restaurant/China

CommerciaI

P204/Karsten Schmidt-Hoensdorf,IDAl4 Raumlabor/Swiss

P206/StLdio 0 A SttJb Hub/us

P208/Threefold Architects Pure Groove/UK

P212/Torafu Architects NIKE 1LOVE/Japan

P214/BURDIFILEK Brown Thomas/Canada

P216/Architecture at Large Ubiq/US

P220/Dieguez-Fridman Ayres El Salvador St/Argentina

P224/DORIANA AND MASSIMILIANO FUKSAS Armani 5th Avenue/Italy

P228/DORIANA AND HASSIHILIANO FUKSAS Armani Ginza Tower/Italy

P232/Studio Arne Quinze L’Eclaireur/Belgium

P236/Matteo Thun HUGO BOSS New York City/Italy

P238/studio mk27 micasa v0l．b/BraziI

P242/Puresang Hospital/Belgium

P244/Puresang Van Bommel/Belgium

P246/BURDIFILEK Murale/Canada

P248/MYKITA MYKITA SHOP BERLIN/Germany

P250/Shareen Joel Design Seafolly/Australia

P252/Karsten Schmidt-Hoensdorf,IDAl4/Shop·in·Shop-Concept for SONYSwitzerland/Swiss

P254/Karsten Schmidt．Hoensdorf,IDAl4/Swarovski/Swiss

P256/MAPT WonHundred．/Denmark

P258/Tjep．VilaSofa/The Netherlands

P262/Concrete ArchitecturaI Associates HENDO/The Netherlands

P266/Sergio Calatroni Artroom Stephane Marais，Paris/Italy

P268/Sergio Calatroni Artroom Max Mara_The Basement/Italy

P270/Trust in Design Beauty parlour/France

Leisure

P274/Megumi Matsubara&Hiroi Ariyama Emu/Japan

P276/Lior Vaknin Sabi Aroch Barber Shop/Israel

P280/Puresang Grey Goose/Belgium

P284/Puresang AB Cafd/Belgium

P288/Puresang Martini Verso bar/Belgium

P290/Pascal Arquitectos Bar Lounge Nisha Acapulco/Mexico

P294/Trust in Design La suite 21 Club/France

P298/PANORAMA Club F1/Hong Kong，China

P302/Blacksheep The Cuckoo Club/UK

P306/Mr．Important Design Vanity Nightclub/US

P312/Puresang Spirito/Belgium

P316/Duangrit Bunnag Architect Limited The Pier/Thailand

P320/VlRGILE AND S1_0NE ASSOCIATES LTD ALLIANZ/UK

P324/Studio Architetto Mario Botta Club house Agorb/Switzerland

P326/The Baupiloten Sheet Lightning in the Technical University's Ms Building/Germany

HoteI&Resort

P330/Blacksheep Novotel London Tower Bridge/UK

P334/Rockwell Group Belvedere Hotel/US

P33B/Rockwell Group AIoft/UK

P342/Duangrit Bunnag Architect Limited Alila Cha Am/Thailand

P344/Studio 63 Architecture Design The Love Hotel/Italy

P34B/Ministry of Design New Majestic Hotel/Singapore

P352/G6mez-Crespo Arquitectos Rodavento Hotel/Mexico

P354/JS。designdevelopment Hotel Condesa/Mexico

P358/Karim Rashid myhotel/US

P360/Hirschberg Design Group Hyatt Regency Toronto On King/Can

P364/SANJAY PURl ARCHITECTS PVT．LTD．CapitoI Hill Residency/Indi

Showroom&Exhibition

P366/Tjep．Heineken The City/The Netherlands

P370/Antonio Pio Saracino Steve Blatz TIBI SHOWR00M/US

P372/N Maeda Atelier INAX：GINZA/Japan

P376|TONERICO：INC/Ken Kimizuka EXTO SHOWROOM/Japan

P378/TONERICO：INC．/Hiroshi Yoneya LUNASOL 2009 SPRING COLLECTION/Japan

P380/llaria Marelli CAVE-Pitti Uomo/Italy

P384/Sergio Calatroni Artroom Emporium Project/Italy

P386/ISA STEIN Internorm Flagship Store/Austria

P3BB/Richard Hywel Evans Architecture and Design Limited Modular Lighting，London/UK

P390/Jorge Hernandez De La Garza Origami Pavillion/Mexico

P392/Manuelle Gautrand C42 Citroi~n Flagship showroom/France

P394/INDEX

《室內(nèi)設(shè)計(jì)3》是由大連理工出版社出版的。

Interior design，in many ways，is a precursor to trends in architectural andlandscape design.It is a rich field allowing one to study the latent possibilities ofthe other spatial design fields.In interior design，we find innovation and materialexperimentation unhindered by certain constraints of durability and economy.Asa result，since Modernism，interior design has shown a steady and healthy rate ofinnovation.In fact much of history’S most advanced architecture and landscapearchitecture is footnoted with previously realized interiors.As we look towards the future of interior design，China emerges as a fertileterritory for innovation and accomplishment.China may likely chart the globalcourse for innovation within the field，both technologically and stylistically.Thiscan be attributed to several design factors including a strong historical tradition，the reaction to homogenizing urban conditions，and the lack of emotionalbaggage concerning style.China has an extremely developed historical tradition of the concept of interiorwhich resonates through a multitude of scales.From that of the entire country（the Great Wall），to the omnipotent and ubiquitous city walls，to the smallestcourtyards and private gardens，China’S history demarcates a strong divisionof interior and exterior.The idea of the interior iS expressed in every aspectof social organization，and thus architectural typology.Spatially,at the scaleof contemporary interior design，these manifestations of interior space appearas oases within the city fabric.Courtyards and walled garden compounds，surrounded by the city lire，exist as sumptuous worlds hidden behind brickand earthen walls.The jnteriors become not only a retreat from city Iire，butan expression of the universe.The interior design in this case articulates apersonaI modeI or vision for the entire world Regardless of the attractivenessof the exterior or（more often）lack thereof,the jnterior spaces flourish as theappropriate places to reflect wealth，luxury,and status.2100433B

第1章　室內(nèi)設(shè)計(jì)概述 1

1 1　室內(nèi)設(shè)計(jì)的概念 5

1 1 1　室內(nèi)設(shè)計(jì)專(zhuān)業(yè) 5

1 1 2　室內(nèi)設(shè)計(jì)的定義 5

1 1 3 室內(nèi)設(shè)計(jì)師 7

1 2　室內(nèi)設(shè)計(jì)的內(nèi)容與分類(lèi) 9

1 2 1　室內(nèi)設(shè)計(jì)的內(nèi)容 9

1 2 2　室內(nèi)設(shè)計(jì)的分類(lèi) 13

1 3　室內(nèi)設(shè)計(jì)的發(fā)展歷程 14

1 3 1　中西方室內(nèi)設(shè)計(jì)的發(fā)展 14

1 3 2　 國(guó)內(nèi)外室內(nèi)設(shè)計(jì)的風(fēng)格 17

復(fù)習(xí)思考題 30

課堂實(shí)訓(xùn) 30

第2章　室內(nèi)設(shè)計(jì)原則 31

2 1　室內(nèi)設(shè)計(jì)與功能的關(guān)系 33

2 1 1　 室內(nèi)設(shè)計(jì)與使用功能 35

2 1 2　室內(nèi)設(shè)計(jì)與精神功能 38

2 2 室內(nèi)設(shè)計(jì)與人體工程學(xué)的關(guān)系 43

2 2 1　 人體工程學(xué)的含義與發(fā)展 43

2 2 2　人體尺度 43

2 2 3　人體工程學(xué)在室內(nèi)空間中的

作用 49

2 3　室內(nèi)設(shè)計(jì)與環(huán)境心理學(xué)的關(guān)系 51

2 3 1　環(huán)境心理學(xué)的含義與內(nèi)容 52

2 3 2　空間形狀與環(huán)境心理學(xué) 55

復(fù)習(xí)思考題 56

課堂實(shí)訓(xùn) 56

第3章　室內(nèi)空間與界面 57

3 1　室內(nèi)空間概述與分類(lèi) 60

3 1 1　室內(nèi)空間概述 60

3 1 2　室內(nèi)空間的分類(lèi) 62

3 2　室內(nèi)空間的分隔 74

3 2 1　各種隔斷的分隔 75

3 2 2　室內(nèi)構(gòu)件的分隔 75

3 2 3　家具與陳設(shè)的分隔 76

3 2 4　綠化植物、水體、小品的分隔 77

3 2 5　頂棚的劃分 78

3 2 6　地面的劃分 79

3 3　室內(nèi)空間的界面設(shè)計(jì) 80

3 3 1　地面 80

3 3 2　墻面 82

3 3 3　頂棚 85

3 3 4 空間各界面的設(shè)計(jì)應(yīng)遵循的

原則 86

復(fù)習(xí)思考題 87

課堂實(shí)訓(xùn) 87

第4章　室內(nèi)色彩設(shè)計(jì) 89

4 1　室內(nèi)色彩設(shè)計(jì)概述 92

4 2　室內(nèi)色彩的功效 94

4 2 1　色彩的物理效應(yīng) 96

4 2 2　色彩的心理效應(yīng) 102

4 2 3　色彩的生理效應(yīng) 103

4 3　室內(nèi)色彩設(shè)計(jì)的搭配原則和設(shè)計(jì)

要求 106

4 3 1　室內(nèi)色彩設(shè)計(jì)的搭配原則 106

4 3 2　室內(nèi)色彩設(shè)計(jì)的要求 108

4 4　 室內(nèi)色彩的設(shè)計(jì)方法 111

4 4 1　確定基色調(diào) 111

4 4 2　做到色彩統(tǒng)一 114

4 4 3　畫(huà)龍點(diǎn)睛 115

4 5　室內(nèi)色彩的配色技巧 116

復(fù)習(xí)思考題 117

課堂實(shí)訓(xùn) 117

2100433B

現(xiàn)代室內(nèi)設(shè)計(jì)的 內(nèi)容已經(jīng)從傳統(tǒng)意義上設(shè)計(jì)舒適的生活空間延伸到設(shè)計(jì)對(duì)于現(xiàn)代社會(huì)來(lái)說(shuō)已經(jīng)十分重要的高效率的辦公空間。辦公空間不僅具有重要的象征功能，即企業(yè)的形象，更重要的是其實(shí)用功能，使員工在良好的辦公環(huán)境下充分發(fā)揮其潛能，提高工作效率，增強(qiáng)創(chuàng)造力。因此，現(xiàn)代社會(huì)要求室內(nèi)設(shè)計(jì)精益求精，要求室內(nèi)設(shè)計(jì)師不僅能十分老道地處理空間中審美和技術(shù)的雙重因素，同時(shí)還必須深諳客戶的心理。在以pj公司為首的室內(nèi)設(shè)計(jì)公司的成功運(yùn)營(yíng)下，韓國(guó)室內(nèi)設(shè)計(jì)的水平已被世界所公認(rèn)，這不僅讓世界進(jìn)一步地了解韓國(guó)現(xiàn)代設(shè)計(jì)和傳統(tǒng)文化，也為韓國(guó)年輕的設(shè)計(jì)師創(chuàng)造了更多施展才華的機(jī)遇。

《室內(nèi)設(shè)計(jì)師33》為《室內(nèi)設(shè)計(jì)師》第33本，《室內(nèi)設(shè)計(jì)師33》主題為青年設(shè)計(jì)師，通過(guò)個(gè)人專(zhuān)訪加精選項(xiàng)目的形式介紹了分別來(lái)自高校、大院和個(gè)人事務(wù)所的幾位近年來(lái)成績(jī)斐然的青年設(shè)計(jì)師，如東南大學(xué)的馬曉東，北京建筑設(shè)計(jì)研究院的劉淼，陶磊工作室的陶磊，描繪出一幅精彩紛呈的中國(guó)青年設(shè)計(jì)師群像；視點(diǎn)欄目則是由著名評(píng)論家王受之撰寫(xiě)的《巍巍臺(tái)中塔》，介紹了近期頗受關(guān)注的臺(tái)中塔項(xiàng)目投標(biāo)及勝出項(xiàng)目的情況并進(jìn)行了精彩的點(diǎn)評(píng)；實(shí)錄欄目包括李曉東設(shè)計(jì)的籬苑書(shū)屋、大舍事務(wù)所設(shè)計(jì)的青浦公廁、MAD新近竣工的鄂爾多斯博物館項(xiàng)目，以及一系列來(lái)自國(guó)內(nèi)外的新餐廳，如濃郁異域風(fēng)情的上海孔雀餐廳，來(lái)自希臘雅典的將傳統(tǒng)與現(xiàn)代完美結(jié)合的餐廳空間。